{"id":58125,"date":"2015-08-27T18:08:31","date_gmt":"2015-08-27T16:08:31","guid":{"rendered":"http:\/\/gjughcs.cluster031.hosting.ovh.net\/?p=58125"},"modified":"2022-08-19T18:19:51","modified_gmt":"2022-08-19T16:19:51","slug":"laurore-sunrise","status":"publish","type":"post","link":"https:\/\/etpourtantcatourne.corsica\/index.php\/2015\/08\/27\/laurore-sunrise\/","title":{"rendered":"L'AURORE - Sunrise"},"content":{"rendered":"

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<\/div>

L'AURORE - Sunrise<\/h2><\/div><\/div>[vc_empty_space height=\"40px\"][vc_column_text]<\/p>\n

Une magnifique soir\u00e9e dans le cadre d'Et Pourtant \u00c7a Tourne! avec le soutien de Ventu di Mare, la municipalit\u00e9 d'\u00cele-Rousse et Leclerc.
\nUn chef d'\u0153uvre du cin\u00e9ma muet, une musique originale jou\u00e9e en live sur la projection...
\n\u00c0 l'\u00cele-Rousse, JEUDI 27 AOUT, 20h - \u00c9glise de l'Immacul\u00e9e Conception sur la place Paoli. Projection \u00e0 21h.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row equal_height=\"yes\" content_placement=\"middle\" type=\"vc_default\"][vc_column width=\"1\/2\" css=\".vc_custom_1474103048679{padding-bottom: 50px !important;}\" offset=\"vc_hidden-xs\"][vc_single_image image=\"58126\" img_size=\"full\" alignment=\"center\" onclick=\"link_image\" lazy_loading=\"true\" css=\".vc_custom_1660925398403{margin-top: 5px !important;}\"][\/vc_column][vc_column width=\"1\/2\" css=\".vc_custom_1474102511508{padding-bottom: 50px !important;}\"][vc_column_text]Date de reprise: 24 novembre 2004
\nDate de sortie: 1927 (1h37min)
\nR\u00e9alis\u00e9 par: Friedrich Wilhelm Murnau, William Fox (II)4
\nAvec: George O'Brien, Janet Gaynor, Margaret Livingstone
\nGenre: Drame
\nNationalit\u00e9: Am\u00e9ricain[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]<\/p>\n

Synopsis et d\u00e9tails :<\/h4>\n

Un p\u00eacheur s'\u00e9prend d'une citadine aux allures de vamp. Sous l'influence de celle-ci, il d\u00e9cide de noyer son \u00e9pouse, mais change d'avis une fois sur la barque. Effray\u00e9e, la femme fuit en ville. Elle est bient\u00f4t rejointe par son mari, d\u00e9sireux de se faire pardonner.
\nConsid\u00e9r\u00e9 comme une pi\u00e8ce maitresse du cin\u00e9ma, il est vrai qu\u2019encore aujourd\u2019hui, \u00ab l\u2019Aurore \u00bb poss\u00e8de un v\u00e9ritable pouvoir de fascination quant \u00e0 sa capacit\u00e9 \u00e0 vouloir susciter des \u00e9motions malgr\u00e9 les contraintes de l\u2019\u00e9poque.
\n\"Avec L'Aurore, l'allemand Murnau signe sa toute premi\u00e8re production am\u00e9ricaine. Incontestable classique du 7\u00e8me art, ce tr\u00e8s beau film est \u00e0 voir, ne serait-ce que par pure curiosit\u00e9... Le maitre du mouvement expressionniste, signe ici un drame psychologique aux allures de romance tortur\u00e9e. Il d\u00e9bute dans les ambiances que Murnau affectionne : noire, avec beaucoup de zones d'ombres, ce qui renforce les clairs-obscures de la photographie. Puis le film s'oriente progressivement vers une romance lorsque le couple en crise rejoint la grande ville et tente de se reconqu\u00e9rir. La m\u00e9galopole joue alors un r\u00f4le important, synonyme de progr\u00e8s, d'avenir, de renouveau, \u00e0 l'image de ce qu'il se passe entre les deux protagonistes centraux. On y voit m\u00eame une grosse touche d'humour et de burlesque \u00e0 certains moments (la sc\u00e8ne de la statuette chez le photographe, ou celle du petit cochon \u00e0 la foire), loin des atmosph\u00e8res sombres, tortueuses et \u00e0 la lisi\u00e8re du fantastique des chefs-d\u2019\u0153uvre \"Faust\" et \"Nosferatu\" pr\u00e9c\u00e9demment mis en sc\u00e8ne. A la fronti\u00e8re de basculer de le tragique le plus total sans pourtant perdre l'\u00e9quilibre de son propos initial, c'est une ode \u00e0 l'\u00e9volution, ...un conte initiatique (sur) le pardon et la r\u00e9demption aux yeux de ce qui nous aime.\"[\/vc_column_text][vc_separator el_width=\"80\"][\/vc_column][\/vc_row][vc_row equal_height=\"yes\" content_placement=\"middle\" type=\"vc_default\"][vc_column width=\"1\/2\" css=\".vc_custom_1474103048679{padding-bottom: 50px !important;}\" offset=\"vc_hidden-xs\"][vc_single_image image=\"58127\" img_size=\"full\" alignment=\"center\" onclick=\"link_image\" lazy_loading=\"true\" css=\".vc_custom_1660925880593{margin-top: 5px !important;}\"][\/vc_column][vc_column width=\"1\/2\" css=\".vc_custom_1474102511508{padding-bottom: 50px !important;}\"][vc_column_text]Apr\u00e8s Metropolis de Fritz Lang en 2012, le pianiste et compositeur bastiais Pierre Reboulleau s'attaque \u00e0 un autre monument du cin\u00e9ma muet, un chef d'\u0153uvre de 1927 de Murnau : L\u2019Aurore (Sunrise, a Song of 2 Humans).<\/p>\n

Il a rassembl\u00e9 pour l\u2019occasion de talentueux musiciens : C\u00e9lia Picciocchi et Emilie Cianchetta-Cahuzac (violons), Laurence Babiaud (alto), Paul-Antoine de Rocca Serra (violoncelle), Julie Carles (basson), Anthony Agostini (piano), Jean Castelli (contrebasse) et Jean-Michel Gianelli (percussions).[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

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